Sugarcandy Mountain

Sugarcandy Mountain - watercolour pencil on paper

I completed this drawing/painting today. I'm not sure what to classify it really, as watercolour pencils confuse me. Your work is essentially a drawing, but you've enhanced it with a brush and water. See what I mean?

I often dream of landscapes like this. Vivid colours and poignant geographic features. Surreal nature, and yet not Dali-esque visions. I couldn't think of anything better to call this than "Sugarcandy Mountain", although looking at it, it's quite the opposite to the crow's alluded heaven in Animal Farm. It's rather apocalyptic, in a children's story book kind of way I suppose. Well, that's what I see at least.

I'm getting to like colour better, but I dread actual paints. I find it easier to work with watercolour pencils if I want that effect - easier to tone, easier to handle. It's been months since I last used acrylic and I find myself shuddering at the thought of "real" paint. The drying time is pain-staking for someone as "now-oriented" as me. There's always a greater level of cleaning involved - palettes, palette knives, paintbrushes, and wiping over any surfaces defaced in the art-making process.

Then there's the worse of it: the stench of acrylics. My face goes numb, with just the memory of it. I've never used oil paints and I've heard they smell worse. So overall, watercolour or watercolour pencils seem to be a better choice. I can't handle the liquid, tubed watercolour varieties though. They have a particular scent to them as well.

Anyway, the holidays are proving to be therapeutic and productive for me.

ArtCastle Workshop!

On Monday and Tuesday this week I attended a creative workshop at the Newcastle Region Art Gallery, which was called ArtCastle. It was freaking amazing!
Visit the Art Castle blog: http://artcastle.wordpress.com/

Basically, we created artworks through experimenting with different mediums and adapted the styles of artists on show in the gallery with the help, advice, critique and praise of our three tutors: Luke, Lucas and Michael. Luke and Lucas are professional artists, and Michael is training to be an art teacher.

On Monday we did charcoal and ink drawings of dried up plantlife (on the verge of death) which drew from elements of Brett Whiteley's works, and then moved on to do a street-art inspired piece on primed calico material, mainly influenced by David Griggs - which I wasn't able to complete but will finish at home.

Me & one of my charcoal drawing of a decaying Birds of Paradise, in our "exhibition" :)

On Tuesday we created a canvas piece influenced by Amanda Davies, in which we painted a 12" x 16" canvas a certain colour or a mix of colours, then on a sheet PVC plastic drew a design and decorated the design. We had to draw our design on backwards, as the PVC had to have the design side (with all the "raw" materials) placed on the canvas side so as the design was sealed and couldn't be erased when the PVC was stretched over the canvas. Oh yes, I actually learnt how to stretch my own materials for art purposes :)

Me and my Amanda Davies inspired work. After two days I was pretty tired, as you can see with my droopy eyes.

At the end of the two day workshop they held a mini "exhibition" of our work, while they played a slideshow of pictures to one wall of our artmaking processes. My Mum and cousin Hollie came to see the exhibition. Myself and two other girls - Rebecca and Charmaine - made a speech about what we so enjoyed about the ArtCastle experience. This year was the event's first time in Newcastle, there had been one event of this type in Sydney last year. It felt really special to be involved in the first Newcastle event. The Smith Family - the charity organising the event - invited a representative from their major sponsor, Clemenger's Group (a transnational media/advertising/marketing company based in Australia) to view the works we created.

I had an amazing, wonderful, glorious, fantastic time at Art Castle. I met some amazing people, got to create some shmick artworks, learnt some cool new techniques and tricks, and of course I feel alot more confident in my abilities now and want to develop more and more and more. The art gallery even gave us a kit with decent drawing materials and a new art diary - to keep! Also! I exchanged details with a girl named Rebecca (the same Rebecca that I made the speech with) and we're going to keep in touch and even do some collaborative work :)

It was just great. This first taste of non-school art has me craving more!

Look out, tacky table!

Time for a makeover!

A 'quick' post first, just before I get into the nitty gritty of what I'm getting up to with art.

As I mentioned in an earlier post, I was very motivated to clean my room and thus completed a two-day intensive clean-out, disposing of fripperies and other junk. Basically, being quite a lazy young lady, and not having had a decent cleanout in quite a while my room was cluttered. Cluttered, cluttered, cluttered. But that was just the beginning.

I realised that in order for my room to keep clean and organised, I was required to dutifully discard of a lot of crap. From old school books that were no longer relevant to my current studies and nonsense school assignments from year six (I'm currently in year 11), to letters and clothes and other everyday items such as photoframes that I no longer used. Leather shoes was a biggie. I finally 'threw out' all my leather shoes after I had them sitting there, decaying under my bed as my veganism thrived almost a year now.

I didn't 'throw' them out really, but donated them to an op shop (thrift store), along with 2 garbage bags of clothing, accessories and novels in addition to the box full of a decent amount of leather and non-leather shoes. I recycled ALOT of paper and cardboard as well. I weighed them, aswell. The combined total of 2 garbage bags and 2 smaller shopping bags worth of paper-waste weighed in at just a little over 21kg (that's 46.3 lb for imperial system-ers).

For all my efforts my mum has promised me new furniture, as I've never really had decent, "goes-well-together" stuff, let alone anything that matches. I've had the same bedside drawers and chest since I was a baby. I'm 16 next month. Though I do acknowledge I'm lucky to even have what I do have.

This weekend we're going out to Domayne, and Freedom, and other furniture stores to just take a look around and what's currently "in". I'd like to down-grade to a king-single bed now too, as I've got no space whatsoever in my bedroom as my queen bed totally dominates all floor space. I'll be getting rid of an old computer that's no longer used on my desk, and then getting rid of that desk to so as I can have a nicer table-top to work on in my own room. A desk with drawers. I know it sounds kind of spoilt and totally consumerist, but I think it's fair.

BUT! I am doing something quite non-consumerist... I am "recycling" something else...

Ta-dah!

In the process of all that cleaning, I managed to clear the surface of this miniature op-shop-sourced, knee-high, cheap, wooden "coffee-table" - which wasn't actually used for that purpose - and realised just how tacky it was. My mum had let me use it when we moved house five years ago as I didn't have much furniture in my room.

This table-top gives the impression of a corkboard rather than a smooth surface.

This will be my first ever project of this kind: redecorating an old, nasty used piece of furniture.

In these photos I think you can see that it is rather daggy, but I think it has some potential to be quite beautiful. I rather like the shape and form of its legs, and this table truly has served me well. It deserves a new lease on life.

Works in Progress

Just an update of works I'm completing at the moment... two works, portraits as a matter of fact.

The top series is of a woman, which demonstrates illness, self image, self worth and all those lovely things in the disfigured body she possess. It originally started as a very yellow colour and then I did it over, changing the brushstrokes realising that otherwise she'd look like she had scales. It's nowhere near finished, many elements of the face (ie: nose, chin, lips, forehead, the whole other side of the face) need to be completed, in addition to the rest of her abdomen and flailing limbs. I feel it's turning out well and I am having a great time making it :)

I'm undecided as to whether I should alter the background or not. I like that the gray tones add a feeling of isolation and entrapment.

The next two, below, show a portrait I'm working on. Feeling inspired by Tamara de Lempicka's soft cubism, I thought I'd try and adapt it in my style. We'll see how this turns out.

Subliminal (Rauschenberg inspired work)

"Subliminal" - mixed media on canvas, 50 x 60 cm

This is my Rauschenberg-inspired work I've done at school. It's not really Rauschenberg, but I guess you could say I stole some of his practices. Layering paint, etc. While I am fond of Rauschenberg's works and those of people who are able to use this style to their advantage, such as my friend Jacinta :), it's not really a style I would like to utilise. I think it can be very effective when approached correctly. This has turned out far too busy and involved, not to my liking at all. Oh well.

Media involved:

Acrylic paint, oil pastels, shellac, ink pen, impasto, string, and last but not least; anatomical images retrieved from the internet (the head is from Gray's Anatomy which I got off Wikipedia; the other surreal illustration is off Google Images if you search "Dreams", or the singular).

The next topic we'll be covering is Dadaism, much to our teacher's chagrin. I think it will be interesting. We briefly brushed over it two years ago, in year 9, never really to be heard of again until now.
In addition to this we're learning a little about the Heidelberg School of Art, which is a collective of European-trained artists who came to the realisation that in order to capture Australia's unique landscape they'd have to retrain themselves and develop their style once again.

And now I believe I'll post some works in progress :)

Update

In my art class we've been studying Robert Rauschenberg and I'm not sure how my work will turn out. My theme for it is "Dreams & The Subconscious". In the year 12 art class (one year above us), 4 or 5 students out of about a dozen are doing Rauschenberg inspired pieces for their HSC works. I'm so scared about the HSC, but I'm planning what I'm going to do. Probably definitely not Rauschenberg. Just two and a half more terms til it all begins! But there's time to discuss that later.

Everything I'm working on at home is in a stagnant state. I haven't been painting much, or drawing. But then again I've had alot of assignment work lately. I've applied to become involved in a community art project in my area called "Art Across the Ages" which will be collabarative work between High School-aged students and retirees (Over 55's). I'd love to be a part of this as it's very open-ended and they provide all the supplies.

I will post some photos of works in progress soon, both pieces created at home and school.

Prima Ballerina

"Prima Ballerina", mixed media on canvas, 14 x 18"

Another canvas for the Tender Age series. This one explores the psychological disorders that can be attributed to the stimuli of childhood. I'd estimate most women (including myself), or their daughters, have attended dance classes as a child, and so I believe the ballet slipper is a good symbol for this concept. To be the prettiest dancer, to be the most graceful and most of all to make Mummy and Daddy proud. Let's not forget comparing our immature bodies to that of our tiny, dancing peers.

Tattoo face girl is surrounded by the roots of negativity, and they've already begun planting themselves in her head as the slipper's ribbons curl around her legs, drawing her into a life of misery. I think it's pretty easy to understand.

The usual mediums; artist ink, black acrylic paint and graphite pencils. Hoorah!

Random Man + a rant

"Random Man" (acrylic on canvas, 14 x 18")

This was a piece I did yesterday just fiddling around. I didn't sketch it up on canvas, but I feel that it turned it reasonable enough. It's meant to be a man, but alas whenever I randomly create something (ie: not drawing/painting etc from a photo) it always turns out androgynous.

From this simple little exercise, I have gained a bit more confidence in portraits and so I think I may attempt to paint a portrait from a photo... sketched up on canvas first, of course.

I'm rather pissed off that I have to work today. Well, perhaps not pissed off, but slightly disgruntled. The last day I worked was Tuesday, so I've had four wonderful days to paint and draw and write... and blog. They have me on a 7 hour shift, which isn't necessarily the longest they've put me on, but when it's doing two different things (one of which I absolutely abhorr) it kind of gets dismal. I have three and a half hours of cash registers, then a half hour break followed by three hours of recovery. Recovery is awful. Basically, we're cleaners, picking up any goods which have fallen on the floor and rearranging stock to look good. My section for recovery is in apparel (clothing) as well, so at the end of the day, my section is utterly, utterly trashed. It's hard and I don't find this type of work rewarding at all, partly because I don't feel that I can complete ALL the tasks they set us within the designated 3 hour shifts. They make a long list of requirements, but you just can't meet every single one of them. It's ridiculous, and I'm not the only one that struggles with it.

To be quite honest, I'm thinking of asking the apparel manager if I can work in another section - preferably hard goods (ie: Kitchenware, Small Appliances etc.) - which I feel I can complete thoroughly after rushing through it as I'm used to in apparel. There was a stage in which I was pondering quitting, despite only having worked there for... well, four months now. I think the better option is asking to transfer to another section, or working solely on cash registers, because the pay is good. They're understaffed as well, so I'd feel a little guilty when it would come to leaving. Also, I'd like to work there for a bit longer if only for the benefit of it looking good on my resume. Like it looks like I can hold a job, which I probably can. It's my first real job, so I suppose it's rather important how long my service was when it comes to applying elsewhere, as an indicator of my reliability and etc. And I am reliable, I've barely missed a shift in these four months, even though I did holiday for two weeks in a black-out period. I told them at my interview though, so everything was fine. I found it strange though that they rostered me on days on which I declared I was unavailable.

I'll write again later, hopefully today will run smooth enough.

Delusion

"Delusion" (mixed media, 14 x 18"), 2009

Today I dedicated all my waking hours - well virtually - to creating this artwork. Feeling inspired to create a series based on the character whom I affectionately - and blandly - nicknamed "Tattoo Face Girl" that I used in "Tender Age" (below), I did a sketch about a week ago of the image on this canvas. I'll explain everything...

"Tender Age" (mixed media on canvas, 50 x 60 cm), 2007

Tender Age (formerly called 'In Bloom') is about a girl on the cusp of womanhood, which is represented by the way she sniffs into the flower. The 'tattoo'/pattern on her face is a sort of symbol for all her negative thoughts and experiences, which are made to look like roots and seeds - as though she indeed has some sort of mental illness, and along with her emaciated figure it indicates that she had/has severe body image issues. The bee in the background flower warns that she'll soon be hurt. The swirly stuff in the background is just decoration, really :)

Delusion is a portrayal of the hurt hinted at in Tender Age. The large, solid-coloured face which dominates a large portion of the canvas denotes that her pain was inflicted by another person. She's been hurt by someone's words, as shown by the black swirls escaping the plain face's mouth, which wilt tattoo face girl's flower.

There are many more canvases to come of Tattoo Face Girl, and if anyone can suggest a better name to christen her, I'd really appreciate it. While there is quite a bit of difference between the two already made aesthetically, the subject matter is very much the same. The difference in the images comes from different supplies and brands of materials, in addition to 14 months of artistic development.

It's the first time I've completed an artwork in a day - well, one on canvas anyway, so I feel rather accomplished. Both works were made of artist's inks, black acrylic paint (just black), and graphite, but as I mentioned above, all different brands.

I can tell you I won't be using Jasart canvases again, which is what I used for Delusion today. It was a nightmare attempting to put the ink on, everything seemed to pool as it contracted - as though the canvas were like a sponge. It wouldn't let the liquid spread upon the canvas properly unless large amounts were put on. I was rather peeved because it made the process last a whole lot longer than it had to, and in addition to this, once it dried, there were little spots of white canvas poking through where I had doused the fabric with colour. I used a Jasart for 'Androgyny' as well, but because I didn't lay down the colour as I did in this work (Androgyny is just lines, lines and more lines), I barely noticed this horrid little phenomenon. Fine for acrylics though. Haha.

Collection of Works

These are a collection of drawings and paintings I have done over the past 2 years (2007 - 2009). I've done quite a few more, but these are some I would like to show on my blog. I'm improving as I go along. I use a variety of mediums and often create a variety of mixed media works, but I haven't settled on just one yet, but I'm finding myself starting to develop a soft spot for artist's inks. I use a variety of different techniques too. I've began experimenting with palette knives as opposed to paint brushes, in fact, I've even got a substitute for a palette knife - I use a plastic cake spatula! Trust me, I'm not trained in anyway.

Visit my deviantArt page:

illy93.deviantart.com

Vase Series: "In Bloom", "Withering" (both: mixed media on canvas)

"Tender Age" (mixed media on canvas)

"Krist Novoselic" (graphite on paper)

"Kurt Cobain" (graphite on paper)

"Moonlight, Suicide" (graphite on paper)

"Sassy" (oil pastels and soft pastels on paper)

"Head Over Heels" (oil pastels and soft pastels on paper)

"Pollution" (mixed media on canvas)

"Them Bones" (acrylic on canvas)

"Androgyny" (artist's ink on canvas)