Showing posts with label ink. Show all posts
Showing posts with label ink. Show all posts

Sunday, 4 October 2009

In The Works...

I know I haven't contributed anything in forever, so I thought I'd give an update. Basically, I've just finished year 11 and commence year 12 at the beginning of the next school term. It's kind of scary, but kind of an accomplishment at the same time... especially considering all the preliminary year exams I had to complete before the end of this term. Phew.

But now with a two week holiday, I have time to work on some art projects which is just fantastic! One thing I have to do over the break, in addition to one other assignment, is get my Body of Work for my art class pretty much completed. It should be fun, but it'll be time consuming.



2B, 4B & 8B graphite on paper

The concept behind it is the murder of a husband/father by a mother and son that I read about whilst completing a media file for my Legal Studies class about 2 months ago. Apparently they shared this really intense psychological connection, and that's what I want to illustrate.

It took me about 8 hours to get the Mother's face done, but I think it would probably have been less if I hadn't had to lose 10 minutes every art class to packing away equipment and ensuring my work had been stored properly. Still, you can't rush these things. So the Son will take as long as it needs to be done.

brush & ink, and pen & ink on paper

I'm really enjoying working with inks still as an alternative to paint. I did this first work (above) a couple of nights ago, subconsciously reflecting some bad news I received lately. I hadn't given it much thought and then bam! It's in my art. The second piece (below) was done about 6 weeks ago after I'd gone to a Parkway Drive concert a few nights before, feeling absorbed by a new culture. I guess it's kind of mirroring what it was like being swallowed by a crowd, although the figure is male.


pen & ink on paper


Other than all this, not much has been going on. Although, a movie is being filmed in my town. It's based on a John Marsden novel, "Tomorrow When The War Began", and it's going to have the same name. Some of my friends are extras, and I'm regretting that I didn't apply but oh well. Seeing my friends on screen is good enough for me :)

Friday, 19 June 2009

Ink and Graphite

Soul Comes Out - ink & pen in VAPD
I'm really loving working with ink and pen lately. I've also rediscovered my passion for graphite drawings.

This first ink drawing was an impulsive drawing and I think it was influenced by those face mugs you see around. Revolting things they are.

Abstract Female Form - 2B, 4B & 8B graphite in VAPD

This second drawing is more or less inspired once again by the armless "Venus di Milo", and Brett Whiteley, and many of my previous odd nude drawings. It's not finished yet, but I'm doing a series of works similar to this for a body of work at school: I think. I've not decided yet. If I do, I think they'll be a mixed media work.

The world seems a little better since I got my muse back :)

Monday, 8 June 2009

Inks & Lino

Just a quick update. I'm rather glad, you see, as I'm beginning to find a bit of inspiration again. Hoorah! This Queen's Birthday long weekend has been going quite well.

Pen & ink experiment.

On Saturday Mum and I went into Newcastle to buy some art supplies. One of the new goodies I bought was an ink nib and pen to work with at home. I've always had an interest in inks, but it wasn't until this year at school that I developed one for pen & ink. I'd only ever used brush & ink. A totally different method really does alter the image you create. I'm having fun working with cross-hatching. It's a strange way to shade, but it's growing on me. The ink drawing above was something I crafted this morning, just randomly. A quick sketch, and then it was inked.

Lino print equipment.

I also bought some lino printing materials: silk-cut linoleum squares (30 x 30 cm), block ink, lino carving tools, and rollers. I really should have made a point of buying some paper while I was there. It took me until we arrived home at 4pm that day (we did make a point of staying in town all day) to realise my 11 x 14 " VAPD would be large enough to print on. Silly, silly illy.

In addition to all of these I got some charcoals: willow and compressed. I've never had proper charcoal at home for drawing, so that's really nice too.

I've suddenly got a lot more motivation and inspiration on the art front. Part of it, I think, is staring the Day Zero Project; in which I will attempt to complete 101 preset tasks in 1001 days. My blog that will be journalling my challenge and all it entails is located here.

Things are going alright :)

Wednesday, 27 May 2009

Experimentation...

Ink pen, charcoal and graphite in VAPD

I have just been so lazy lately with drawing and art lately. I've had some really good things in terms of inspiration over the past few weeks, but as soon as I put pencil to paper I just lose it.
I'm lacking energy in everything: art, guitar, school, exercise. Especially school & exercise. I've been sick 3 weeks in May alone - from 2 or 3 different illnesses - and I feel so bored and lethargic and fat. I've only been to school 4 days over those 3 weeks, and I haven't been to the gym in a month or so. That's BAD. I had a viral cold and my monthlies for a week and a half, was on antibiotics and then just as I was starting to get better I got a tummy bug that started from my little cousin - and it's been attacking the whole family.

Basically, this afternoon I decided I was going to combat this artistic impairment. I told myself: just draw something. Muck around with mediums and texture and imagery. It doesn't matter what you freakin' do. JUST DO SOMETHING.

This isn't good by any standards. I just thought I'd post it to keep motivating myself. SO: I am soldiering on. Which is technically kind of a play on IMT's theme of "warrior" this week. I know. Tacky. But oh well.

Ruined!


Ink & pen on paper

The original photograph I took this from was from one of those ads by Dove for "anti-aging" cremes and stuff. Basically, they don't photoshop the models and etc.

As part of art at school we're doing the human body. I'm out of class for a week or so, this was left on the drying rack and some year 8 kid/idiot decides to draw something just LOVELY on the back of this.

I don't have any opposition to phalic elements in art, but it totally ruined my ink work and I was forced to abandon it. GRRR. I covered it up with a package of mix CDs my friend made me for my birthday :)

To be honest, I'm guessing it was a male. There just seems to be something with boys at that age where they draw dicks all over everything. It's never really girls. The guys just seem to do it, and whatever they draw isn't necessarily a glorifying depiction haha.

Long story short: I'm pissed off, and off school again for this second time this month with a tummy bug (before it was a viral cold). So who knows what else of my work is being destroyed by the little non-elective-art vandals.

Tuesday, 21 April 2009

ArtCastle Workshop!

On Monday and Tuesday this week I attended a creative workshop at the Newcastle Region Art Gallery, which was called ArtCastle. It was freaking amazing!
Visit the Art Castle blog: http://artcastle.wordpress.com/

Basically, we created artworks through experimenting with different mediums and adapted the styles of artists on show in the gallery with the help, advice, critique and praise of our three tutors: Luke, Lucas and Michael. Luke and Lucas are professional artists, and Michael is training to be an art teacher.

On Monday we did charcoal and ink drawings of dried up plantlife (on the verge of death) which drew from elements of Brett Whiteley's works, and then moved on to do a street-art inspired piece on primed calico material, mainly influenced by David Griggs - which I wasn't able to complete but will finish at home.

Me & one of my charcoal drawing of a decaying Birds of Paradise, in our "exhibition" :)

On Tuesday we created a canvas piece influenced by Amanda Davies, in which we painted a 12" x 16" canvas a certain colour or a mix of colours, then on a sheet PVC plastic drew a design and decorated the design. We had to draw our design on backwards, as the PVC had to have the design side (with all the "raw" materials) placed on the canvas side so as the design was sealed and couldn't be erased when the PVC was stretched over the canvas. Oh yes, I actually learnt how to stretch my own materials for art purposes :)

Me and my Amanda Davies inspired work. After two days I was pretty tired, as you can see with my droopy eyes.

At the end of the two day workshop they held a mini "exhibition" of our work, while they played a slideshow of pictures to one wall of our artmaking processes. My Mum and cousin Hollie came to see the exhibition. Myself and two other girls - Rebecca and Charmaine - made a speech about what we so enjoyed about the ArtCastle experience. This year was the event's first time in Newcastle, there had been one event of this type in Sydney last year. It felt really special to be involved in the first Newcastle event. The Smith Family - the charity organising the event - invited a representative from their major sponsor, Clemenger's Group (a transnational media/advertising/marketing company based in Australia) to view the works we created.

I had an amazing, wonderful, glorious, fantastic time at Art Castle. I met some amazing people, got to create some shmick artworks, learnt some cool new techniques and tricks, and of course I feel alot more confident in my abilities now and want to develop more and more and more. The art gallery even gave us a kit with decent drawing materials and a new art diary - to keep! Also! I exchanged details with a girl named Rebecca (the same Rebecca that I made the speech with) and we're going to keep in touch and even do some collaborative work :)

It was just great. This first taste of non-school art has me craving more!

Wednesday, 15 April 2009

Old Spice

Old Spice - Mixed Media (watercolours, newspaper and pen & ink on paper)

This piece looks at people stuck in their particular little ways, and how this can ultimately impact on a person's perception of reality. The haystack and silo are drawn over newspaper which notes that this man is more worried about his crops and rural way of life than, say, politics and other current affairs. And of course he just spits any-bloody-where.

It's called "Old Spice", to keep in with the current IMT theme. I can just imagine him slapping on his deodrant every morning, but no shower, of course.

Saturday, 7 March 2009

Some Ink 'Drawings'

Here are some ink & brush 'drawings' that I've made recently. I absolutely adore the Australian artist Joy Hester (1920 - 1960) who used this medium frequently through out her career. You should check her out. I feel that her style has most definitely influenced how I draw people and my use of line.

Man 1 - ink & brush on paper

Man 2 - ink & brush on paper

Androgynous - ink & brush over graphite drawing on paper

Saturday, 14 February 2009

Prima Ballerina

"Prima Ballerina", mixed media on canvas, 14 x 18"

Another canvas for the Tender Age series. This one explores the psychological disorders that can be attributed to the stimuli of childhood. I'd estimate most women (including myself), or their daughters, have attended dance classes as a child, and so I believe the ballet slipper is a good symbol for this concept. To be the prettiest dancer, to be the most graceful and most of all to make Mummy and Daddy proud. Let's not forget comparing our immature bodies to that of our tiny, dancing peers.

Tattoo face girl is surrounded by the roots of negativity, and they've already begun planting themselves in her head as the slipper's ribbons curl around her legs, drawing her into a life of misery. I think it's pretty easy to understand.

The usual mediums; artist ink, black acrylic paint and graphite pencils. Hoorah!

Friday, 23 January 2009

Delusion


"Delusion" (mixed media, 14 x 18"), 2009

Today I dedicated all my waking hours - well virtually - to creating this artwork. Feeling inspired to create a series based on the character whom I affectionately - and blandly - nicknamed "Tattoo Face Girl" that I used in "Tender Age" (below), I did a sketch about a week ago of the image on this canvas. I'll explain everything...

"Tender Age" (mixed media on canvas, 50 x 60 cm), 2007

Tender Age (formerly called 'In Bloom') is about a girl on the cusp of womanhood, which is represented by the way she sniffs into the flower. The 'tattoo'/pattern on her face is a sort of symbol for all her negative thoughts and experiences, which are made to look like roots and seeds - as though she indeed has some sort of mental illness, and along with her emaciated figure it indicates that she had/has severe body image issues. The bee in the background flower warns that she'll soon be hurt. The swirly stuff in the background is just decoration, really :)

Delusion is a portrayal of the hurt hinted at in Tender Age. The large, solid-coloured face which dominates a large portion of the canvas denotes that her pain was inflicted by another person. She's been hurt by someone's words, as shown by the black swirls escaping the plain face's mouth, which wilt tattoo face girl's flower.

There are many more canvases to come of Tattoo Face Girl, and if anyone can suggest a better name to christen her, I'd really appreciate it. While there is quite a bit of difference between the two already made aesthetically, the subject matter is very much the same. The difference in the images comes from different supplies and brands of materials, in addition to 14 months of artistic development.

It's the first time I've completed an artwork in a day - well, one on canvas anyway, so I feel rather accomplished. Both works were made of artist's inks, black acrylic paint (just black), and graphite, but as I mentioned above, all different brands.

I can tell you I won't be using Jasart canvases again, which is what I used for Delusion today. It was a nightmare attempting to put the ink on, everything seemed to pool as it contracted - as though the canvas were like a sponge. It wouldn't let the liquid spread upon the canvas properly unless large amounts were put on. I was rather peeved because it made the process last a whole lot longer than it had to, and in addition to this, once it dried, there were little spots of white canvas poking through where I had doused the fabric with colour. I used a Jasart for 'Androgyny' as well, but because I didn't lay down the colour as I did in this work (Androgyny is just lines, lines and more lines), I barely noticed this horrid little phenomenon. Fine for acrylics though. Haha.

Wednesday, 21 January 2009

Collection of Works

These are a collection of drawings and paintings I have done over the past 2 years (2007 - 2009). I've done quite a few more, but these are some I would like to show on my blog. I'm improving as I go along. I use a variety of mediums and often create a variety of mixed media works, but I haven't settled on just one yet, but I'm finding myself starting to develop a soft spot for artist's inks. I use a variety of different techniques too. I've began experimenting with palette knives as opposed to paint brushes, in fact, I've even got a substitute for a palette knife - I use a plastic cake spatula! Trust me, I'm not trained in anyway.

Visit my deviantArt page:

Vase Series: "In Bloom", "Withering" (both: mixed media on canvas)
"Tender Age" (mixed media on canvas)

"Krist Novoselic" (graphite on paper)
"Kurt Cobain" (graphite on paper)
"Moonlight, Suicide" (graphite on paper)


"Sassy" (oil pastels and soft pastels on paper)

"Head Over Heels" (oil pastels and soft pastels on paper)

"Pollution" (mixed media on canvas)
"Them Bones" (acrylic on canvas)
"Androgyny" (artist's ink on canvas)